MAS Context - Vigilantism

MAS Context
2021

Mas Context Vigilantism 01
Mas Context Vigilantism
Selected spreads
Mas Context Vigilantism 02
Selected spread featuring the essay by Ashley Bigham
Mas Context Vigilantism 03
Selected spread featuring the interview with Krystina François
Mas Context Vigilantism 04
Selected spread featuring the essay by Atelier Mey
Mas Context Vigilantism 05
Issue launch at Principle Barbers, Chicago. Photo by Mark Waite.

In this issue we explore spaces of vigilantism, both historically and today. What are the spatial dimensions of vigilante encounters, segregation, violence, and exclusion, or conversely emancipation, liberation, and inclusion? Threshold, circulation, private vs. public, and other architectural delineations of space have become the subject of much controversy as footage of sexist and racist policing of these spaces emerge. Beyond spatial dimensions, which regulatory, institutional, aesthetic, and material expressions of vigilantism does architecture condition? What is vigilante behavior in highly digital and post-digital space? In pop-culture? In new media? How do technology and design become means for cultivating and expressing those behaviors? How do contentious political movements respond to, and draw from, vigilantism? What are the micro-, meso-, and macro-level dynamics of sociospatial acts of violence? Can vigilantism ever be good? Liberatory? And what are ways aggressors, resistors, and witnesses take on characteristics of vigilantes? To address these issues and more, vigilantism is a topic that needs to be explored.

Contributions by Emanuel Admassu, Laida Aguirre, Joseph Altshuler, Atelier Mey, Germane Barnes, Ashley Bigham, Jennifer Bonner, Galo Canizares, Sean Canty, Sekou Cooke, Krystina François, Jia Yi Gu, A.L. Hu, Demar Matthews, Katherine McKittrick, Zack Morrison, Jennifer Newsom, Cyrus Peñarroyo, Gary Riichirō Fox, Shawhin Roudbari, Andrew Santa Lucia, and Chat Travieso.

Bobby Joe Smith III designed Vigilantism highlighting the interplay of the paired down, tightly structured body of white text and black bodies; only using black, white, and gray; and creating the chapter numbers resembling a blue print.

Graphic Designer
Bobby Joe Smith III
Guest Editor
Germane Barnes
Guest Editor
Shawhin Roudbari
Editor in Chief
Iker Gil
Contributing Editor
Paul Mougey
Printing and Binding
Graphic Arts Studio
Project link